Fund Raising


Collected for 2012-2013: $107,578.58


Donors from Infantahins to build the Gabaldon


Segundo and Evelyn Amarga
Maria Alejandra Arizala
Octavio Arizala
Rodolfo & Neneto Arizala
Cesar & Sonia Astrera
Hector & Fabbee Bunag
Erlinda Bustonera
Kelly and Annabelle Clayton
Renato & Norma Coronel
Eddie Cua
Nilda Cua
Samson & Carolina Cua
Pol & Sally Derilo
Ricardo & Malou Espinosa
Mario & Tita Espiritu
Marites Espiritu
Melecia Garcia
Nony & Emmie Garcia
Rudy & Bennie Garcia
Kevin & Trish Glodava
Kirsten Glodava
Mark & Mila Glodava
Venchito Gucon
Manny & Marilyn Ibanez
Marc Ibanez
Paul & Mercy Ignacio
Josefina Juntereal
John & Joannes kirtley
Maricar Knize
Mario & Norma Leodones
Reynaldo & Merlita Miguel
Ramon & Myrna Monreal
Jures Ocampo
Imelda Orantia
Linda Poblete
Thomas & Sonia Pope
Felicidad Prohibido
Sandra Recio
Jon & Amor Santiago
Nonong & Carmelita Telan
Isabel Tena
Junlo & Rowena Tena
Jovy Valentino
Frederick & NoraVillamayor


Non-Infantahin Donors


A Taste of Italy
Abando, Napoloeon & Marciana
Ahern, John & Jan
Albyn, Mary
Allen, Frank & Jere
Almuete, Marivic
Altevogt, Jan
Alvarez Foundation
Alvarez, Guillermo & Annette
Amon, Elizabeth
Andersen, Scott & Lynn
Angell, Mike & Leanell
Anonymous
Aranjuez, Cristeta
Archdiocese of Denver
Arrupe High School
Ashmann, Marshall & Amelia
Asuncion,n, Virginia
Atienza, Pablo & Esther
Aye, Andrew & Theresa
Atwell, Scott
Baker, Raymond & Frances
Bandong, Naty
Banzon, Dolly
Banzuela, Mary Ann
Bartley, K.D. & C.E.
Bascanot, P.P. & V.C.
Bautista, Elaina
Beaudette, Therese
Bergeon, Christopher & Annette
Best, Chad & Heather
Betts, Steve & Nancy
Bosch, Warren & Karen
Botardo, D.S. & E.G.
Brandsma, Michael & Molly
Breitenbach, Randy & Maureen
Brock, Kurt & Charlene
Brown, Mary Lou
Buczkowski, Lee
Buntua, Connie
Cabigas, Emelita
Canaria, Apolonio & Alma
Canlas, Lourdes
Cardosi, Julius & Mary
Carr, Andrew & Nancy
Carrol, Arturo & Marcia
Carter, Helene
Carter, James & Maryanne
Casil, Rosa
Cassidy, Pete
Caulkins, Edward & Robin
Cavan Corporation
Chadwick, Scott & Stacie
Chaplick, Scott & Camilla
Church of the Risen Christ
Close, Joan
Colorado State Bank & Trust
Competente, Perfecto & Estrella
Corder, Steve & Pat
Coushane, Bruce & Jennie
Craige, Catherine Laboure
Cropp, Deacon Bob & Peggy
Cruz, Arnie & Ana
Cunnane, Brian & Kay
Curran, Gerald & Nida
Damore, Tony & Diane
Davis, Jim
De Dios, Bobby & Regina
De Leon, Remedios
Deniken, Andrew & Leslie
Dennehy, Jan
Devera, Melva
Digo, Dawn
Donaldson, Linda
Dulay, Ovideo
E.M. Weckbaugh Foundation
Eason, Timothy & Shirley
Eckrich, Mark & Joan
Edwards, Jennifer
Eggert, William & Elizabeth
Engelmann, Karl & Melissa
Espeja, Roann
Esteron, Cristeta
Evans, Kevin & Linda
Fabro, Brigida
Faley, David & Jodi
Fangman, Matt & Terri
Filby, Matt & Julie
Filipino Night
Finegan, Jean
Fleming, Fred & Adeline
Fons, Randal & Sharon
Forster, Sue
Frank, Jim & Connie
Franzen, Steve & Kim
Frontz, Jasper & Jennifer
Funderburk, Ben & Sheri
Galicia, Maria Elena
Gallagher, Greg & Carrie
Gallagher, Mike & Liz
Gallo, Joe & Sylvia
Garden Chase Investment
Garovillas, Marie
Gerken, Ray & Tommie
Glodava, Phil & Donna
Goggin, Noel & Nimh
Golden Press
Goldwire, Hal & Miki
Gorder, Andrew & Jill
Granada, Mark
Green, Rev. John
Grepo, Norma
Grooters, Daniel & Jennifer
Gruidel, Jeff & Jennifer
Hagan, Mark & Madonna Borger
Hall, John & Linda
Hanzlik, Bill & maribeth
Harper, Anthony & Pamela
Harper, Victor & Jean
Hartman, Kendra
Havernan, Patrick & Johanna
Hayes, Charles
Heath, Chris & Laura
Heintzelman, Steven & Shelly
Heule, Tom & Lisa
Hilt, Mary Ann
Holtz, Thomas
Holzkamp, Kurt & Angela
Hone, Mack & Lisa Millet
Horne, Joanne
Hueckel, Glen & Sharon
Hut, Art & Laverne
J.P. (Bill Hanzlik's Friend)
Janiczek, Joseph & Mary
Jantomaso, Patricia
Jeske, Tim & Shar
Job, Sheryil
Johnson, Corey & Loraine
Jomoya, Rosalia
Jotte, Robert & Sonia
Jurlalero, Cornelia
Keating, Gary & Bridget
Keller, George
Kelley, Colleen
Kelley, Mark & Melanie
Kemberling, Rev. Andrew
Kennedy, Samuel & Elizabeth
Kennedy, Burke & Denise Munger
Kimzey, Bill & Carolyn
Kleman, Paul & Michelle
Kopp, Kevin & Nancy
Krietsch, Ann
Laber, Garald
Lane, Bill & Linda
Lane, Joyce Marie
Large, Robert
Leadbeater, Ellen
Liwanag, Wilfredo & Ludy
Lum Lung, Paul & Colleen
Mabley, Laura
Majka, Martin & Cindy
Malcolm, James & Holly
Malone, Bill & Terry
Manansala, Fred & Catherine
Mandapat, Elizabeth
Maranan, Melinda
Martin, Andrew
McAdam, Gary & Claudia
McCarthy, Patrick & Chris
McCoy, Maryann
McDermott, Shawn & Dana
McElhiney, Jan
McGarrity, Jeff & Sonia
McGowan, Dan
McGuigan, Maureen
McKenna, Tim & Marie
McKinzie, Gary & Jackie
McMillion Foundation
McPherson, J.R. & Ellen
Meno, Deanne
Mercer, Todd & Katie
Meske, Randal & Lucia
Micek, Leonard & Laura
Miller, Alan & Karen
Miller, Dorothy
Miscellaneous Cash
Mitchell, V.S. & A.F.
Modz, Frank & Bernadett
Monark, John & Barbara
Monark, Rosemary
Moore, Forrest & Shirley
Morrisoe, Patrick
Morton, Julie
Murphy, Mark & Kelli
Nagle, Midge
Natterman, Mary
Nepel, Jay & Jennifer
O'Brien, Jim & Susan
O'Shea, Ray & Colleen
Ocampos, Rodrigo & Bernadita
Olorvida, Cresencia
Oro, Patrick & Lisa
Orzal, Juliet
Osterman, Michael
Our Sunday Visitor
Pablo, Leony
Pallazo, Dominic & Ellen
Panasci, Ernest
Pasion, Phil & Lynne
Paterson, Nancy
Payos, Manilena
Pennies from Heaven
Perchiazzi, Tom & Amy
Perry, Sam & Becky
Picardo, Virginia
Piccone, George & Kristi
Pietro, Diane
Pitrone, Russ & Lucy
Polakovic, Mike & Terry
Post, Rick & Sharon
Priester, John & Rosemary
Pristera, Bob & Jo
Pruneda, Efrain
Rafferty, Jerry
Ramirez, John & Mary Lee
Rapatan, Thelma
Rapp, Dick & Nancy
Rastrelli, Deacon Alan & Brenda
Reed, Tom & Shelley
Reichardt, Gerry & Frances
Reyes, Araceli
Reyes, Angelita
Rice, Mary
Ricupero, Karen
Rivera, Antonio & Aurora
Robertson, David
Rood, Donna
Rorick, Brian & Beth
Rossi, Msgr. Walter
Runberg, David & Liz
Sablada, Amalia
Sakas-Sluder, Elena
Salem, Hassan & Sheila
Salvato, Mark & Laura
Samuels, Denzil & Shari
Sanderson, John & Joni
Sangalis, Steve & Moiria
Schaffer, Rev. Darrell
Schmidt, Andrew & Helene
Schneider, Joanie
Seeds of Hope
Sengco, Ronald & Mary Ann
Serra-Dagat, Reema
Shinner, Steve & Cindy
Sillecchia, Lucia
Smerker, Mimi
Smith, Colleen
Smith, Don & Eileen
Smith, Harris & Linda
Smith, Lee
Smith, Phil & Shari
Smith, Todd
Smooke, Douglas & Jean
Spirit of Chrit
St. Mary's Catholic Church
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St. Vincent de Paul Society
Stern, Tom & Katherine
Stevenson, Dean & Connie
Stroud, Steve & Mary
Sturges, Jerry & Jennifer
STM Office
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STM School 2nd Grade, Mrs., De la Cuesta
STM School 2nd Grade, Mrs. Dornbos
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STM School 5th Grade, Mrs. Whitehouse
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Sullivan, Bill & Tricia
Sullivan, Douglas
Sweeney, Kevin & Rosanna
Sullivan, Joseph, Sean, Mike and Gracie
Talana, Mario & Loreto
Tapp, Mike & Betsy
Tedesco, Thomas & Karlyne
Terry, Jim & Stacy
Tewahade, Kebere & MIna
The Kelley Foundation
Victorian Tea Party
Thompson, Bob & Shelley
Thompson, Mike & Jane
Thony, Lucien & Olivia
Tilahun, Mengistu & Migbar
Todd, Richard & Joanie
Torres, Nestor & Marilyn
Trask, Linda
Trouchton, Terry & Marybeth
Turner, Patricia
Turner, Vicki
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Uy, Cecil
Vargas, Rose
Vizurraga, Tony & Deanne
Walsh, Darren & Julia
Wegener, W.S.
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Welch, Marge
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Wilhoite, William & Karen
Wolach, Pat
Wolberg, Wayne & Neice
Wood, Dennis & Linda
Wooods, Keith & Sally
Wright, Richard & Elizabeth,br /> Wulff, Sydnia
Yanez, Marcelina
Zacher, Karen
Zakovich, Paul & Marleen
Zapapas, Jim & Jan
Zimmerman, John & Mary
Zimmerman, John & Megan
ZTL Foundation

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The Month of February and El Presidente

by Rudy A. Arizala
Santiago, Chile
17 February 2013

According to T.S. Eliot, “History has many cunning passages, contrived corridors and issues, deceives with whispering ambitions,/ Guides us by vanities.” While Plutarch said: “So very difficult a matter it is to trace and find out the truth of anything by history.”

Aware that there are at least two versions of history - one written by the victors and the other by the vanquished in war or revolution, let us try to seek the truth by re-reading the history of the Philippines.

And this month of February led me to re-read some historical events and compare them to a movie recently produced in the Philippines. I refer to a CD movie “El Presidente” sent me by a coleague from DFA, which is about the life and exploits of Gen. Emilio Aguinaldo as a leader of the Katipunan and President of the Philippines during the early period of the American Forces in the country.

According to a book on Philippine History after the signing of the 1898 Paris Treaty between the United States and Spain, war between the United States and the Philippines broke out. The American version say that on a warm moonless night on the fourth of February 1899, at about 8:30 PM., a U.S. soldier, Private Willie W. Grayson, with two other members of his patrol approached San Juan bridge. This bridge spanned the river between the City of Manila and San Juan which at that time was a village. According to Grayson, suddenly, four figures appeared at the other end of the bridge. He shouted “Halt!” The figure in front of him continued to move forward. Grayson challenged the man in front of him with another “Halt!” Immediately, the man at the other end shouted back: "Alto!” “Well,” according to Grayson, “ I thought the best thing to do was shoot him.” The man in front of him dropped to the ground. “It was some minutes after our second shots before the Filipinos began firing,” narrated Grayson.

The other version that of a Filipino historian, the incident did not happen on San Juan Bridge, but at a side street near the banks of the San Juan River. Be that as it may with that encounter, the Filipino - American War began which dragged on for two years.

Most likely, the Director / Producer of the movie “El Presidente” followed the Filipino historian version, for no bridge was shown in the said movie.

Aside from the encounter at San Juan which ignited the Philippine-American war, i wonder if the Director / Producer of the movie “El Presidente” made appropriate historical research on the other historical incidents depicted in the movie as follow:

1. What really happened at “Tila Pass” where a young Filipino General Gregorio Del Pilar and sixty of his men held at bay the advancing superior American forces to allow Gen Emilio Aguinaldo and his men escape from being encircled by enemy forces and reach their final destination up North of Luzon in Palanan. In the “El Presidente” movie, Gen Gregorio Del Pilar was shot while fleeing mounted on his white horse. . .not when he was confronting and shooting at the advancing enemy forces.

2. What really happened to Gen Antonio Luna, “one of the most brilliant Generals” of the Aguinaldo Army according to Henri Turot, the author of a book on Aguinaldo. How and why he was shot in Cabanatuan where he was supposed to have a meeting with President Aguinaldo.

3. What really happened to the Bonifacio brothers while negotiating the mountainous passage near Mt. Buntis. Is it historically true that Andres Bonifacio grabbed the rifle of one of the military guards escorting them and tried to kill Aguinaldo’s men?

4. What was really the attire or uniform of the Aguinaldo forces / army during the Filipino-American War? In the “El Presidente” movie, the soldiers and officers of Aguinaldo were shown wearing white uniforms and not the “rayadillo”. According to historical data, the Revolutionary Army of the First Philippine Republic under Emilio Aguinaldo used the fabric (rayadillo) in their military uniforms during the later years of the Philippine Revolution and the Philippine-American War,

5. What really happened to Pres Aguinaldo’s envoy / emissary Don Felipe Agoncillo in Washington, D.C.? In the “El Presidente” the incident depicted was different from what was narrated in the book: “First Filipino Diplomat” -Felipe Agoncillo by Esteban D. Ocampo and Alfredo B. Saulo, (National Historical Institute, Manila, 1978).

6. Why the Aguinaldo Cabinet headed by Apolinario Mabini resigned en masse in May 1889; and why such incident was not included in the movie “El Presidente”.

With all due respect to Gen Emilio Aguinaldo as acknowledged leader of the Philippine Revolution and President of the First Republic, one is led to wonder whether the movie “El Presidente” is designed to “reinvent’ the life and deeds of Gen. Aguinaldo and portray Andres Bonifacio, Gen Antonio Luna, Gen. Artemio Ricarte, et al, as inimical to the struggle for independence if not “traitors” to a noble cause. In other words, whether the movie “El Presidente” is intended to present the other side/version of history concerning Gen Emilio Aguinaldo as President of the Philippines.

In this connection, it may be recalled that Apolinario Mabini, Pres. Aguinaldo’s adviser and Secretary of Foreign Affairs who resigned en masse in May 1889, with other cabinet members, wrote in his book “The Philippine Revolution” (La Revolucion Filipina) why the Philippine Revolution failed in the following words:

“To sum it up, the Revolution failed because it was badly led; because its leader won his post by reprehensible rather than meritorious acts; because instead of supporting the men most useful to the people, he made them useless out of jealousy.”
Aside from above-mentioned historical incidents, it is a regret to note that the photography in the movie “El Presidente”, the dramatic and historical scenes need a lot of improvement to correspond to reality or what and where the events really took place. The dialogues also need improvement to differentiate them from what we usually hear in a “drama” or ‘zarzuela” show.

The battles engaged in by the Aguinaldo Army lack realism - what we see in the movie are groups of armed men rushing to do battle, shooting indiscriminately in all directions and engaging in “hand-to-hand” fighting not with bayonets but with swords as if in a duel.

These observations are not to criticize the movie “El Presidente” or dispute the heroism of Gen. Aguinaldo, but an attempt to understand better the purpose of the movie in relation to what really happened during that stage of our history.

Probably, “El Presidente” is the type of movie which most movie-goers in our country want to see to be entertained thru our “pinilakang-tabing” irrespective of what really happened during that stage in our history.

In fairness to the local movie industry, however, Filipino directors/producers could also produce good quality if not superb movie about war, revolution and love affairs such as a Filipino movie I saw in Manila many years ago. I refer to the movie titled: “Oro, Plata, Mata”, which was about historical incidents and love affairs during WW-II among regular soldiers, guerrilla forces and civilians in the Philippines.
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